Topic: How does Zhu Fu (The New Year Sacrifice) contrast with Zao chun er yue (Early Spring in the Second Lunar Month)? Are they films of different periods? Does this call into question the characterization that “the first 17 years of the PRC” ought to be co

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How does Zhu Fu (The New Year Sacrifice) contrast with Zao chun er yue (Early Spring in the Second Lunar Month)? Are they films of different periods? Does this call into question the characterization that “the first 17 years of the PRC” ought to be considered one period in the history of Chinese film?
Possible additional sources:
Transnational Chinese Cinemas: Identity, Nationhood, Gender. / edited by Sheldon
Hsiao-peng Lu. — Honolulu: University of Hawaii Press, 1997.
Encyclopedia of Chinese Film. / edited by Zhang Yingjin and Xiao Zhiwei — London:
Routledge, 1998.
Chinese Filography: the 2444 Feature Films Produced by Studios in the People’s
Republic of China from 1949-1995. / ed. by Donald J. Marion. – Jefferson, NC andLondon: McFarland & Co., 1997.
Pang, Laikwan. Building a New China in Cinema: The Chinese Left-Wing Cinema
Movement 1932-1937 – Lanham, MD: Rowman and Littlefield, 2002.
Silbergeld, Jerome. China Into Film: Frames of Reference in Contemporary Chinese
Cinema – London: Reaktion Books, 1999.
Chinese film theory: a guide to the new era / edited by George S. Semsel, and Xia Hong,
Hou Jianping; foreword by Luo Yijun. — New York: Praeger, 1990.
Chinese film : the state of the art in the People’s Republic / edited by George Stephen
Semsel. — New York : Praeger, 1987.
Cinema and cultural identity : reflections on films from Japan, India, and China / edited by
Wimal Dissanayake. — Lanham, MD : University Press of America, c1988.
Clark, Paul, 1949- ; Chinese cinema : culture and politics since 1949 / Paul Clark. —
Cambridge, UK; New York: Cambridge University Press, 1987.
Berry, Chris, Fran Martin, Audrey Yue. Mobile Cultures: New Media in queer Asia –
Durham: Duke University Press, 2003
Berry, Chris. Chinese Films in Focus – London: BFI Pub, 2003.
Berry Chris. Chinese Films in Focus II – New York: Palgrave Macmillan, 2008.
Berry, Chris. Island on the Edge: Taiwan New Cinema and After – Hong Kong: Hong
Kong University Press, 2005.
Berry, Chris. The New Chinese Documentary Film Movement: For the Public Record –
Hong Kong University Press, 2010.
Berry, Chris. Public Space, Media Space – New York: Palgrave Macmillan, 2013.
Le Cinema chinois / sous la direction de Marie-Claire Quiquemelle et Jean-Loup Passek
; textes de Geremie Barme … . — Paris : Centre Georges Pompidou, c1985.
Literatura i iskusstvo KNR, 1976-1985 / . — Nauch.
izd. — Moskva : “Nauka,” Glav. red. vostochnoi lit-ry, 1989. 235 p. ; 22 cm. At head of
title: Akademiia nauk SSSR. Institut Dal’nego Vostoka. Summary in English. Includes
bibliographical references (p. 230-234).
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